What I’m reading: May 2022

Some bite-sized thoughts and reflections on the items I’ve been reading, listening to, or watching this month.

Also: Did you read, watch, listen to, play something this month that you particularly enjoyed? Feel free to share in the comments! I’m always looking for recommendations.

Note: The following post contains spoilers for Normal Gossip (podcast) and Our Flag Means Death (TV series)

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Guitar playing as creative research

Image by Kari Shea from Pixabay

So a few weeks ago I talked about my new adventures in creative research, something I’m taking on to supplement my scholarly investigations into the role of research in creative writing. Long story short: creative research (i.e. research to enhance a creative work) is something I’ve never engaged in much myself because the creative writing I do is more for fun than Serious Work, but I wanted to try it out as part of a revision of a novel-length story I completed the first draft of a few months ago.

I talked before about how two of the characters in that story work in a bar and how I ended up doing research using internet sources like YouTube and Liquor.com to try to add a little authenticity to the work they do in the story and how they each think and talk about their work. In this case, I wasn’t able to go to the location the bar in the story is loosely based on because of COVID and time issues, but I was able to learn enough from the internet to improve the generic BS about bartending and cocktails that was in the original draft.

So I’m still working on that same project. In addition to working in a bar, the characters in question also play music. Specifically, guitar. One is in a band, the other is just starting to learn. This has been another area of research but it’s one where I’ve managed to reap the benefits of hands-on, in-person research rather than just scrolling the internet.

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Concept mapping and why I don’t like to teach it

I wouldn’t say that everything I teach students about research is lies, but there is admittedly a lot that I teach them that I don’t necessarily practice myself. In my own course, I’m open with students about that fact. For example, students in my classes know that I, like them, rarely create my own citations from scratch. Not because I don’t understand how to construct a citation, but because a lot of the scholarly articles I write have dozens of citations in them and frankly who has time for that? Instead, I use whatever citation is generated by the database where I found the source and then edit it to match the quirky preferences of the journal I’m hoping to submit to. The rest is the work of diligent copyeditors.

Other supposed sins I commit: I use Wikipedia all the time and generally trust the information I find there. I almost never go past the first page or two of search results on Google. And I rarely do all (or even most) of my research before I start to write something.

Arguably, the difference between me committing these sins and students doing the same thing is that I have the experience and expertise to understand (and hopefully avoid or at least make peace with) the potential pitfalls of what I’m doing. Students are still developing the skills and knowledge necessary to be able to do that.

But really my main message to students is that there’s no one right way to do research. Everyone has their own approach and just because that approach doesn’t match the rigid ideas they learned about from some librarian (like me) or some professor, it doesn’t mean it’s wrong.

That’s what I do in my own course. When I teach one-shot sessions, things are different in part because I’m constrained by the course instructor’s expectations about what they want students to learn as part of the instruction I’m giving them. Since the instructor is the expert on their students and the assignment they’ll be working on, I tend not to push back too much. Even when I think what they want me to teach is stupid.

Like concept maps. I think concept maps are stupid.

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On doing external reviews

In the time since I got tenure myself in 2019, I’ve been asked to do a small handful of external reviews for promotion and tenure cases at other institutions, about 1-2 a year. For some reason, the prospect of writing external reviews for outside cases wasn’t something I thought much about as a possibility until I was being asked to do it. As with every other new professional endeavor, conducting these has definitely been a learning experience.

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