Research in fiction writing: What problem is this investigation trying to solve (for librarians)?

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So I’m at a point now where I’m starting to put the findings from my investigation research in fiction writing into article form and I ran into something of a problem when I started writing the abstract.

There are a lot of ways to write abstracts, but the model I like to use is one where you state the motivation for the research, the specific problem you were trying to solve with your research, your approach to the study, and your results. In this case, I knew all about the approach I took and what my results were. I even knew what my motivation was. The trouble was, I didn’t know what problem I was trying to solve other than that there was a gap in the existing literature and I wanted to fill it.

When it comes to library and information science scholarship, wanting to fill a gap in knowledge often isn’t enough to make your research important and publishable. It also has to be useful in some way. That’s because librarians pursue research not only to learn more about how people find, evaluate, and use information but also to find ways to improve their services, tools, and collections. Contributing something that can help prove the value of libraries to those with control over our budgets (and our existence) is generally seen as much more important than pursuing knowledge for the sake of it.

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Research in fiction writing: Thoughts on popular writing books, part 1

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Now that I’ve read through a list of “academic” writing books, I’m working my way through a set of more popular writing books in search of information on the role of research in fiction writing. Rather than devote whole posts to each individual book, I’ll just be sharing some brief thoughts as I go along.

Today, I’m taking a look at The Art of Fiction by John Gardner, Becoming a Writer by Dorothea Brande, and revisiting Self-Editing for Fiction Writers by Renni Browne and Dave King.

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Guest post: Jesi Buell on how to use research in creative writing

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Note from Allison: For a while now, I’ve been hoping to feature guest posts from authors who are interested in talking about the role of research in their creative work. Jesi Buell has been kind enough to take the leap and be my first guest author! I’m really excited to feature her creative research tips. If you are a writer who would be interested in penning a similar guest post, I would love to hear from you.

Hello – my name is Jesi Buell and I am an instructional design and web librarian at Colgate University. I also write under the name ‘Jesi Bender’ and run a small press for experimental literature called KERNPUNKT Press. My own writing varies from poetry and flash to novels and plays (I’ve written three novels – one published in 2019 called The Book of the Last Word – and a play coming out later this year called KINDERKRANKENHAUS). I wanted to share some tips on how I use research in my writing and creative endeavors.

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Thoughts on “Creating Learning Outcomes from Threshold Concepts”

As I’m working on some new and exciting research projects, I’ve found myself going back to a few of my earlier works and reflecting on how my thinking has changed in the time since I wrote them. I thought I would share some of this here partly because I still get asked about some of these articles from time to time and partly because I think it’s valuable to show how things can change as you grow as a scholar.

So today I’m taking a look at an article I wrote called “Creating Learning Outcomes from Threshold Concepts for Information Literacy Instruction,” which was published in College & Undergraduate Libraries in 2017.(1)

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Research in fiction writing: Takeaways from academic writing books

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So it took me a couple of months but I’m finally finished with the “academic” leg of my investigation into whether and how writing books talk about the role of research in fiction writing. Reading about the same subject over and over again can be exhausting and I was definitely getting a bit, um, cranky there at the end. (Actually, I was already a bit cranky at the start if you go back to my rant about The Way of the Writer, which was literally the second book I read.)

Now that it’s over and I have a little distance from it, I wanted to share a few quick takeaways.

Note: This post contains vague spoilers for The Haunting of Bly Manor and The Haunting of Hill House for some reason.

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What I’m reading: January 2021

Now that I’m officially on sabbatical, I’ve been doing a lot more reading than usual. Rather than devote an entire post to reflections on each of these items, I thought I’d share some thoughts on them in smaller, bite-sized pieces.

(Note: The following contains spoilers for A Wilderness of Error, both the TV series and the book, the podcast Morally Indefensible, the Bridgerton TV series and Russian Doll)

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Research in fiction writing: Thoughts on The Half-Known World

After reading 10 popular books on creative writing in search of information on the role of research, I’ve now shifted my focus to a set of more “academic” books that are specifically about fiction writing. I say “academic” because, of all of the books on a very long list of recommended creative writing books that I found, these are the ones that are a) about fiction writing specifically and b) owned by the libraries at 20 institutions with highly respected creative writing programs at either the undergraduate or graduate level.

Today I’m taking a look at the last book on my list for this project: The Half-Known World by Robert Boswell

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Dear students: Citing your sources incorrectly is not plagiarism

There’s a unit in the course I teach where I present students with a set of what I call(1) “information creation scenarios.” These are hypothetical situations, many adapted from real life incidents that have made the news, in which I ask the student to imagine themselves in the shoes of an information creator for whom something has gone terribly wrong: a social media post that’s gone viral in a bad way/for bad reasons, an original piece of art that they created and shared online that’s become associated with a hate group, etc. For each scenario, they have to explain what they could have done differently to prevent the situation from happening in the first place and what strategies they would use to try to fix the situation after it happened. It can be a fun challenge.

One of the scenarios I give my students relates to plagiarism. It goes like this:

Imagine that you write a research essay for a course in your major in which you are expected to cite a certain number of sources. Though the required citation style is one you are familiar with, you are still learning about the proper format and placement of citations in a research essay. Knowing this, you do your best to follow the rules for citing your sources. You refer to trustworthy websites like Purdue OWL(2) for help and also visit the Writing Center and the library for advice and helpful resources. You use all of this information to create your reference list and you are careful to include all of the sources from which you pulled information. You hand in your paper confident that you have done your best to properly cite your research.

 A few weeks later, your professor hands back your essay and you are devastated to learn you failed the assignment due to plagiarism. Your professor highlights several passages in your paper with quotation marks but no in-text citations to indicate where the quoted information came from. There is another passage with no quotation marks and no citation which the professor feels is too close to the wording from one of your sources to be considered your own original work. This is why you failed the assignment on the basis of plagiarism.

In my experience teaching students about plagiarism, what this scenario describes is, for them, a huge fear. Nobody cares about intentional plagiarism because intentional plagiarism is, by definition, committed only by those who know that they are cheating and are presumably prepared to face the consequences if they’re caught. Getting a failing grade due to unintentional plagiarism even when you’ve tried your hardest to do the right thing—to many students, that’s a much bigger reason to worry.

Except.

Is the professor in the scenario right to accuse the student of plagiarism?

Personally, I think not.

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Research in fiction writing: Thoughts on Lectures on Literature

After reading 10 popular books on creative writing in search of information on the role of research, I’ve now shifted my focus to a set of more “academic” books that are specifically about fiction writing. I say “academic” because, of all of the books on a very long list of recommended creative writing books that I found, these are the ones that are a) about fiction writing specifically and b) owned by the libraries at 20 institutions with highly respected creative writing programs at either the undergraduate or graduate level.

Today I’m taking a look at Lectures on Literature by Vladimir Nabokov.

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Reflecting on un-research

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As I’m working on some new and exciting research projects, I’ve found myself going back to a few of my earlier works and reflecting on how my thinking has changed in the time since I wrote them. I thought I would share some of this here partly because I still get asked about some of these articles from time to time and partly because I think it’s valuable to show how things can change as you grow as a scholar.

So today I’m taking a look at “Teaching Information Literacy Through Un-Research,” which was published in Communications in Information Literacy in 2015.

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