Image source: https://outtake.tribecashortlist.com/escape-and-companionship-in-the-station-agent-ae9f31f9b58d
I feel like I’ve spent a lot of space talking about what pop culture gets wrong about libraries. The natural question is: are there any good or accurate examples of libraries in movies, books, or TV shows?
On the whole, The Public, a recent movie by Emilio Estevez, does a good job because Estevez took the time to do actual research about actual libraries—he even came to the ALA Conference in New Orleans a few years ago to talk about it. But the situation in that movie is both fictional and heightened. Except for a few short scenes early on, you’re not seeing the library as it would function in an everyday sense. (Although the questions the patrons are asking the librarian at the beginning are 100% spot on.)
A better example is probably a brief scene from The Station Agent.
The Station Agent, if you haven’t seen it, is a movie starring a pre-Game of Thrones Peter Dinklage along with Patricia Clarkson and Bobby Canavale. In the movie, Dinklage plays a quiet guy who seems to prefer solitude (basically the opposite of Tyrion Lannister) but gets drawn somewhat unwillingly into a tentative friendship with Clarkson and Canavale’s characters (Olivia and Joe), who are also both alone and/or lonely in their own ways. There is also amateur train chasing and a brief lesson on the origins of the phrase “right of way.” That probably doesn’t sound very appealing, but it’s really a lovely movie. Highly recommended.
Anyway. In the movie, Dinklage’s character, Finn, is new in town. He goes to the library to find a book about trains, a subject for which he has a great deal of passion, to put it mildly (he literally lives in an abandoned train depot). He goes to check out the book. In doing so, he startles Emily, the librarian played by Michelle Williams.(1) She screams in surprise. After recovering, she asks him if he has a library card. He doesn’t but wants to get one. She asks if he has a piece of mail with his address on it. He doesn’t. She tells him that to get a library card, he’ll need proof of address. Olivia arrives and offers to check the book out for him on her card. Finn refuses the offer and leaves. “Oh my God, I just screamed in his face,” Emily says to Olivia, embarrassed. The scene ends.
That’s it. That’s the whole thing.
What makes this such a great library scene?
So many things.